Part 13
6 July 1997
In 900 Minutes, YOU Can Be Composing Very
Fine Music in Your Own Genre
Even though recent Winsights columns have been very
strongly into science and technology, the arts are virtually as crucial
in our concern for improving human ability, performance, and well
being. Today's example presents the little-known fact that you, or
virtually anyone, can become a highly original composer of really fine
music. --Your preferred type of music, though this writer is steeped in
the classical. Whether you play an instrument with any skill whatever,
or are just a bathtub singer, the same principles hold.
All you need do to find yourself
composing astonishingly good music, is to set up a tape recorder where
you will be attempting to create music, and to follow the simple 900
minute self-training program we call "Improvitaping."
Yes, this simple 900-minute program does
involve improvising, but even the narrowly formally classically trained
can do as we describe below and your payoff will utterly astonish you.
But unlike improv jazz and improv in other branches of music, you do
not build up routines. In fact, any time you find yourself playing
familiar themes or anything you recognize, you change away from it and
let the feedback system we've designed do its integrations at a deeper
level instead.
In only 900 minutes, you will be creating
entire fine pieces of music, in your own preferred genre, highly
original, and in their own elegant form without your ever having had to
wrestle with composition formalities or other music theory. Just do the
following simple 900 minute self-training, and feedback and your own
brain will take care of the rest. Here is this simple 900-minute
self-training program, 180 minutes total per day for 10 days:
The Improvitape Technique---
1. Simply play your chosen instrument
(or bathtub-sing!) for a half hour per day while recording on blank
tape. Try to make it sound like a "real" piece, keep going for a half
hour per day....
2. In so doing, steer away from
recognized themes and patterns. Keep on doodling for that half-hour per
day, trying to make it sound like "a real piece."
3. --And then the hardest part! --Play
back the tapes you make, for an hour per day. --A half hour while
paying attention to the contents; the other half hour as background
while you are doing other things.
--As simply as that! Within 10 days,
doing this at-least-90-minute-per-day program, as you run this simple
flow-with-feedback process, you will be amazed to discover:
- How much of what doesn't work drops
out;
- How much of what bores the ear drops
out; and
- How much of what does work reinforces
up into good new pieces of music!
It's probably 'wince-and-groan' for you
at first....
You will likely experience going through
these three distinct stages, during your 900-minute evolution into
becoming a good, original composer:
1. Wince-and-groan Stage, while you are
playing back the first tapes of your improvisations. Bear with it--this
is the hardest part right there, and it lasts only for the first 3-5
days. You won't believe how quickly you move on into the stages of
pleasant surprises.....
2. Mining Melodies: good thematic
material and figures will start surprising you, showing up here and
there in your taped improvisations. You can "mine" this increasingly
high-grade "ore" to extract from these tapes these instance of good
original melodies, motifs and patterns. Even if you did not take the
Improvitape Technique any further than this, you could use these good
original themes for pieces which you then compose conventionally. But
if you continue this Improvitaping program for 3 to 6 days further, you
reach---
3. The Stage of Elegant Whole Pieces:
the music flows, following its own intrinsic logic, developing its own
form, and your improvitapes emerge as complete original compositions.
Finer and finer works emerge from this flow, each of them a rich
surprise. At times while playing, you won't know that anything special
is happening until afterward, when you are playing the tapes back and
sit in stunned disbelief that l'il ol' you could possibly have come up
with such a wonderful thing. Real hair-raising at times! --And nothing
else quite so extraordinarily rewarding as this experience, which - if
you continue Improvitaping - will occur for you again and again and
again with different wonderful pieces each time.
From that point on, most musicians who
have done this simple 900-minute program, over 10 days, will find
themselves generating a mixture of Stage Two (Mines) and Stage Three
(whole pieces) tapes. Expect a variety of valid musical forms and,
increasingly, instances of breathtaking elegance.
I challenge you to do this simple 900
minutes without getting at least these high-level results!
I know it doesn't seem fair - the above
Improvitape Technique in composing music, or our hundreds of other
techniques for improving various areas of human ability, performance
and well being, when so many people have by more formal training
labored so hard for such results as they are getting now or are not
getting now! I am reminded of how a certain unnamed major university,
with whom I had arranged an intelligence-building study which had been
about to go to catalog, suddenly had fierce objections and an overrule
from unnamed sources within. One quote which got back to me was: "You
can't increase human intelligence and, furthermore, you can't increase
it HERE!"
Well, this one you can do here, or there,
or wherever you please, on your own and no one to overrule you. And as
is the case with each of the techniques we've offered here in
"winsights," you can reasonably infer with the results you get from
this one what the likely verity of the other ones must be. So we invite
you: make this simple 900-minute experiment and, while judging
therefrom the verity of results of our procedures and something of the
huge human stakes riding with them, enjoy harmlessly your own creation
in a highest-quality experience wholly beyond any you could normally
expect to get elsewhere - and enjoy it for a rich full lifetime!
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Special further note to these instructions, added 1/08/10:
What drives the evolution in Improvitaping is what pleases you
musically. Everything musical that you've ever heard that pleases
you, influences your music because the instances in which your
doodlings somehow approach that, by pleasing you, re-shape your output
by the Law of Effect - that "you get more of what you reinforce."
(Receiving that feedback and those reinforcements through several
different levels of attention and states of mind - those attentive and
inattentive/background playbacks - has worked out empirically to be a
most powerful combination for working these effects to reshape one's
doodling.) That pleasure, rare and seldom as it might be at first in
the initial, "wince-and-groan" stage, reinforces you. It reinforces you
toward the fundamental patterns and effects that you find most
pleasing. Our stricture about staying away from what you
recognize from before, applies to tunes and melodies and other
particular readily identifiable elements that you recognize from
before, either from your own previous doodlings or from someone other
composer's music. That forces this entire reinforcive process
onto a deeper level in which the basic nature of what most
pleases you begins to shape your playing, instead of just particular
musical routines.
Listen to an excerpt from
a Win Wenger improv number!
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To hear a selection
of improv music by Win Wenger, click the large button on the control
bar at left. Click it again to pause. Allow several minutes for
first-time download.
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Just for fun, Google for "Improvitaping" and
see
what others report, in over 170 links.
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